The practice of

Renaissance improvisation

Exercises - level 2

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Exercises level 4

Exercises - Tableau général

Canons

For 2 voices

1-beat canons

with syllables

on a given text

Canon at the unison

Canon at the upper octave

level 2

Canon at the lower octave

level 2

Canon at the upper fifth

level 2

level 2

Canon at the lower fifth

level 2

level 2

2-beat canon

Canon at the unison, two beats apart

level 2

For 3 voices

level 2

level 2

Simple counterpoint

Cantus firmus

For 2 voices

Pedagogical

(mod. notation)

Repertoire

(mod. notation)

Repertoire

(early notation)

Gymel in upper 6ths

level 2

Gymel in lower 3rds

level 2

Gymel in 3rds and 6ths

level 2

level 2

For 3 voices

Fauxbourdon from the tenor (plainchant in equal notes)

level 2

Fauxbourdon from the tenor (rhythmicised plainchant)

level 2

level 2

Fauxbourdon from the tenor (measured song)

level 2

Fauxbourdon from the soprano (plainchant in equal notes)

level 2

Fauxbourdon from the soprano (rhythmicised plainchant)

level 2

level 2

Gymel in upper 6ths + bassus 3/5/8

level 2

level 2

Gymel in lower 3rds + bassus 3/5/8

level 2

level 2

Gymel in upper 3rds + bassus 8/10/13

level 2

level 2

level 2

level 2

For 4 voices

4 voices with a 3/5 bassus, CF in the tenor

level 2

level 2

4 voices with a 3/5 bassus, CF in the superius

level 2

level 2

Diminished counterpoint

Cantus firmus

For 2 voices

Pedagogical

(mod. notation)

Repertoire

(mod. notation)

1 voice over a CF with ORM - 2 notes against 1

level 2

1 voice over a CF with ORM - 3 notes against 1

level 2

1 voice over a CF with OMM - ascending hexachord

level 2

level 2

1 voice over a CF with OMM - descending hexachord

level 2

level 2

For 3 voices

2 voices above the CF (58, 10)

level 2

level 2

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