2.3.1.5 Canon at the fifth

SUPER LIBRUM CANTARE

The practice of Renaissance improvisation

CANON AT THE FIFTH

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Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the models

CANON AT THE UPPER FIFTH

Treatises

Extract

Sources

Transcr.

FR

1552

COCLICO, Adrian Petit

Compendium musices

Desperando spero

1552

COCLICO, Adrian Petit

Compendium musices

Fuga in diapente, post semibrevem

1592

MONTANOS, Francisco de

Arte de musica

[At the upper fifth, after a tactus]

1592

MONTANOS, Francisco de

Arte de musica

[Canon at the upper fifth ]

Repertoire

Title

Sources

Transcr.

1503

OBRECHT, Jacob

Missa Græcorum

Benedictus

ca. 1520

DE LA RUE, Pierre

Missa Santa Cruce

Et resurrexit

ca. 1520

DESPREZ, Josquin

Missa Hercules dux Ferrarie

Pleni sunt cœli [same music as Nunquid iustificari]

1545

DESPREZ, Josquin

Bicinia gallica, latina et germanica - Tomus 1

Nunquid iustificari [same music as Pleni sunt]

1547

MEYER, Gregorius

From Glarean’s Dodecachordon

[canon at the fifth in hypolydian]

1587

ASOLA, Giammateo

Madrigali a 2 voci in fuga

O felice chi t’ama

CANON AT THE LOWER FIFTH

Treatises

1592

MONTANOS, Francisco de

1592

MONTANOS, Francisco de

Arte de musica, De compostura

Arte de musica, De compostura

Extract

[canon at the lower fifth ]

At the lower fifth, after one tactus

Sources

Transcr.

FR

Repertoire

Sources

Transcr.

1514

DESPREZ, Josquin

Missa Mater Patris

Christe eleison

1587

ASOLA, Giammateo

Madrigali a 2 voci in fuga

Fuggi deh fuggi o stolta